Music that elevates the story. — not just sits behind it.
Custom, melody-driven scores that deepen emotion and sharpen storytelling, heard on CBS’s FBI: Most Wanted, Zack Snyder’s Justice League, and the AAA game Back 4 Blood.
Melody driven.
Story first.
For over 15 years, Dillon DeRosa has crafted custom cinematic, melody-driven scores that deepen emotion, sharpen storytelling, and help projects stand out with lasting impact. His work spans high-profile network television (including CBS’s FBI: Most Wanted), major releases like Zack Snyder’s Justice League, the acclaimed horror feature The Sudbury Devil, and AAA games like Back 4 Blood.
Beyond the screen, Dillon pushes creative boundaries through concert work like his 1861 Overture, an American Civil War-era piece modeled after Tchaikovsky’s 1812 Overture. It weaves historical themes of conflict, tragedy, and triumph.
Selected work
From network television to blockbuster film and AAA games, a few highlights from the catalog.
Psychological horror starring Pete Davidson, from the creator of The Purge. Dillon’s arrangements are part of the film’s music team.
Additional music across multiple seasons of CBS’s primetime procedural, scored to a fast network turnaround.
Additional arrangements for Turtle Rock’s co-op shooter, the AAA successor to Left 4 Dead.
Different genre.
One voice.
Real cues from real projects. Pick a genre. The music speaks for itself.
The poster wall
Fifteen-plus years of film, television, and game projects carrying Dillon’s music. Tap a poster to see the role.
Directors keep coming back
Working composer, repeat collaborator. Here’s what they say after the credits roll.
Reach out
Send me a few lines about your project and how far along it is. I read everything that comes in.
